Love's Hunger Lost
Comparative Literature 4DW
Thursday, September 22, 2011
Wednesday, March 16, 2011
Sociology, Food and Love
In the Soc 101 class, we were required to read Civilization and Its Discontents by Sigmund Freud. While studying for my final, I came across a very interesting idea he quotes. He believes that the necessities in life are food and love.
Freud describes the importance of love and states the only thing that causes "social anxiety is the loss of love" (85). Love is the only thing that a man opens his heart to and it is the worst thing he can loose for it can do the most damage!
Freud even believed that love was just as necessary as nourishment was! Just thought I would share my findings :)
Tuesday, March 15, 2011
The One About Hair
Dear Students,
I thought that you might enjoy taking a quick look at the spring quarter course blog--I'm still working on it. Does the picture of Lady Godiva in the backgroun remind you of anybody?
address: http://www.hairraising-srdrissi.blogspot.com/
I thought that you might enjoy taking a quick look at the spring quarter course blog--I'm still working on it. Does the picture of Lady Godiva in the backgroun remind you of anybody?
address: http://www.hairraising-srdrissi.blogspot.com/
Thursday, March 10, 2011
Final Project: Sexual Revolution in the Media
These are the videos from our project. Unfortunately I could not upload the powerpoint itself but I think this gets the point across well enough. The goal of this project was to explore the prevalence of sexuality through various outlets of media, such as food advertisement and music.
Wednesday, March 2, 2011
The Need
As I was reading Chapter 8, I came across this quote,
"Falling in Love is like an obsession with me, and I had been going through one of the loneliest periods of my life because of the ephemeral company I'd been keeping...I needed the "love of my life". I needed to die for love, to live for love, to fall apart for love." (p123)
This made me think of how in the novel, Yocandra throws around the concept of "love" without ever really knowing what it is. I believe she fills the void left by the changes done to her life (due to the revolution) with sex and she tries to justify it by saying that it is "love". For in fact, in this quote she admits that it is an obsession as a result of her loneliness.
Her "love" is superficial, and she falls in love at first sight. Her lovers use her and her body, as she uses them for their bodies and the way they make her feel. Are her sexual acts a form of rebellion? Her sexuality being part of her identity, something that she still has a slight grasp on. Or is the sex she has so pleasurable that it takes Yocandra to an alternate reality...a place with endless nourishment?
Saturday, February 26, 2011
Jennifer Lopez's "Do It Well"
I came across the music video for Jennifer Lopez's "Do It Well" and I was intrigued by the reference to Fellini's "Satyricon" that we watched in the beginning of the quarter. The music video, released in 2007, is reminiscent of the scene in which Encolpio passes through a brothel to get back to his apartment. The music video depicts images of sex and feasting, emphasizing on extravagance and excess.
Best,
Jesada M.
Saturday, February 19, 2011
Havana--The New Art of Making Ruins
Dear Students,
Havana—The New Art of Making Ruins (2006) is a documentary directed by Florian Borchmeyer and Matthias Hentschler. The documentary tells the story of the ruins of Havana and the people who inhabit those ruins—from a homeless man who lives in an abandoned theater (in which Italian tenor, Enrico Caruso once sang to Cuba’s high society), to an expropriated landowner, to a young woman living in one of the rooms of an old hotel. We also hear from Cuban writer and poet (and ruinologist, according to him), Antonio José Ponte. In recent years, Havana’s ruins have been romanticized and valued for their magical decay, for its poetic evocation of a glorious past now lost, in particular in Buena Vista Social Club; however, for the people who inhabit them, there is very little poetry left in these ruins. What we see is the conflation of the voice of the people whose stories we hear with the ruined city itself, a product of both the passing of time and the absolute neglect by the state. This documentary will help us contextualize the poetry of Carlos Jesús Cabrera Enríquez, as well as Zoe Valdes’s Yocandra in the Paradise of Nada. Hunger in these works comes in many disguises and it is our challenge to make connections between the images we see in this documentary (as well as what we see in Suite Havana—the following post) and the graphic sexuality of a novel such as Yocandra.
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